Add to ORKGAnalyzes the dramatic structure of Verdi's "Aida." Identifies the opposition between two different levels of exoticism and the "normal" operatic language as the composer's main tool to shape the moral and political message of the opera
Originally published in Italian as: "...non senza pazzia" : prospettive sul teatro musicale. Rome : ...
This paper examines the function of the libretto in Verdi's operas and its relations with the musica...
The article examines the autograph papers documenting the genesis of Aida, preserved in the Villa Ve...
Analyzes the dramatic structure of Verdi's "Aida." Identifies the opposition between two different l...
The genesis of Aida in 1871 involved the French Egyptologist Auguste Mariette and the Italian musici...
The aim of this work is to familiarize the reader with the mezzosoprano role of Amneris from the ope...
Nine years after its creation in Cairo and eight after the European premiere at La Scala, Aida was p...
I declare that this thesis is my own work. It is submitted for the degree of PhD by Thesis in the Un...
This paper assesses nine prominent readings of the imperial context/content of Verdi’s 'Aida' and of...
This essay considers Giuseppe Verdi’s opera Aida and the context of its production and reception on ...
Giuseppe Verdi\u27s 1853 opera Il trovatore has long stood as one of the most popular dramas of the ...
Analisi di testimonianze sull'esecuzione (epistolari, periodici, trattati teorici), della partitura ...
Commentators often express disappointment that the music for the main characters in _Aida_ is not mo...
The focus of this article is on the exotic character as an intruder in both oriental and western con...
Study of the documentation pertaining to the evolution of Verdi's operas from Ernani (1844) to Falst...
Originally published in Italian as: "...non senza pazzia" : prospettive sul teatro musicale. Rome : ...
This paper examines the function of the libretto in Verdi's operas and its relations with the musica...
The article examines the autograph papers documenting the genesis of Aida, preserved in the Villa Ve...
Analyzes the dramatic structure of Verdi's "Aida." Identifies the opposition between two different l...
The genesis of Aida in 1871 involved the French Egyptologist Auguste Mariette and the Italian musici...
The aim of this work is to familiarize the reader with the mezzosoprano role of Amneris from the ope...
Nine years after its creation in Cairo and eight after the European premiere at La Scala, Aida was p...
I declare that this thesis is my own work. It is submitted for the degree of PhD by Thesis in the Un...
This paper assesses nine prominent readings of the imperial context/content of Verdi’s 'Aida' and of...
This essay considers Giuseppe Verdi’s opera Aida and the context of its production and reception on ...
Giuseppe Verdi\u27s 1853 opera Il trovatore has long stood as one of the most popular dramas of the ...
Analisi di testimonianze sull'esecuzione (epistolari, periodici, trattati teorici), della partitura ...
Commentators often express disappointment that the music for the main characters in _Aida_ is not mo...
The focus of this article is on the exotic character as an intruder in both oriental and western con...
Study of the documentation pertaining to the evolution of Verdi's operas from Ernani (1844) to Falst...
Originally published in Italian as: "...non senza pazzia" : prospettive sul teatro musicale. Rome : ...
This paper examines the function of the libretto in Verdi's operas and its relations with the musica...
The article examines the autograph papers documenting the genesis of Aida, preserved in the Villa Ve...